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Light
in the
Darkness

A project by Studio K95
TV horror
USE THE GOOD / EVIL FILTERUSE THE GOOD / EVIL FILTER

Light in the Darkness is a visual exploration of moral ambiguity, set within the haunting atmosphere of horror cinema.

The project presents the eternal conflict between good and evil, not as separate entities but as coexisting forces. Ten posters, ten narratives.

At the center, two characters: one representing light, the other shadow. There are no clear boundaries. Both exist in the same space, within the same visual form.

It is the viewer who chooses what to see, which side to bring forward. Light in the Darkness does not offer answers. It invites a deeper gaze into the image and into oneself. The concept is simple but unsettling: good and evil are not alternating forces, they are simultaneous. They are layered, present at once, and the idea of separating them is as fragile as a reflection.

Horror is not only an aesthetic here. It is the perfect setting for this tension to unfold, where light is rare and every choice reveals something uncomfortable.

Cane rossoCane ciano
drag me

STORY

FROM SHADOWS
OF THE PAST

A JOURNEY THROUGH
HORROR CINEMA
HISTORY

Le Manoir du DiableLe Manoir du Diable
01

INTRODUCTION

The horror genre has deep roots in the history of cinema, beginning with pioneering works that shaped the collective imagination. One of the first significant examples is the French short film "Le Manoir du Diable", created in 1896 by Georges Méliès.

This three-minute film is not only considered the first horror movie in history but also introduced fantastic and supernatural elements that would characterize the genre for decades to come. Méliès' mastery of special effects, such as editing and superimpositions, revolutionized the way stories were told on the big screen.

DraculaDracula
02

EVOLUTION

Over the decades, horror has continuously evolved, reshaping itself with every era.

In the silent film age of the 1920s and 1930s, icons like Dracula and Frankenstein emerged from the shadows, bringing tales of monsters and otherworldly creatures to the silver screen.

These early masterpieces mirrored the deepest social and cultural fears of their time, daring to push the limits of imagination and what could be shown to an audience.

11 September 200111 September 2001
03

Real Human Evil

After 9/11, the collective perception of fear changed dramatically, influencing horror cinema as well. The genre shifted away from monsters and the supernatural, embracing more realistic and disturbing themes.

Films like The Purge and Saw explored social brutality and moral dilemmas in a world of constant insecurity.

Horror became a mirror of modern anxieties, confronting real human fears with powerful social commentary.

Future of horror filmFuture of horror film
04

Future

After September 11, 2001, reality began to surpass fiction. War, terrorism, and social instability became part of our everyday lives. In a world where horror is broadcast live, the genre was forced to adapt.

Today, it’s not monsters or ghosts that frighten us most—but humanity, power, and uncertainty. Horror cinema now contends with a world already terrifying, seeking new ways to express modern fear. The future of horror is no longer just entertainment—it’s a haunting mirror of our time.onnect us all.

ANATOMY

OF A

MURDER

Saul Bass inspiration
fondo

INSPIRATION

Saul Bass

Saul Bass

Saul Bass’s approach to cinematic intros inspired my project, guiding me in the creation of a visual language that merges graphic design and film. His ability to distill a film’s essence into just a few elements deeply influenced me, pushing me to use shapes and colors to evoke powerful atmospheres and to turn simplicity into a compelling storytelling tool.

Stefan Segmanster

Stefan Sagmeister’s experimental approach, evident in the Mountains of Madness album cover for H.P. Zinker (1994) and later in his book Made You Look (2001), has profoundly influenced this project. His use of colored filters to hide and reveal overlapping images inspired me to explore a layered visual language, expanding the concept with a second filter and sharper color contrasts. This technique allowed me to play with perception and duality, leveraging digital interaction to capture the unsettling ambiguity that defines horror films.

Stefan Segmanster
cover of Made You Lookcover of Made You Look

the Exhibitions

We are planning a series of free, non-commercial exhibitions to present the project in 2026. If you are interested in hosting an exhibition at your venue, feel free to contact us at webservices@k95.it

10 posters tribute

to horror film

This series of 10 posters expands the visual narrative of Light in the Darkness, turning it into a gallery of layered subjects that explore the fragile boundary between perception and reality. Each poster is the result of a dialogue between human creativity and AI-generated imagery, merging technology and design to reinterpret the unsettling language of horror cinema.

The project exists in two dimensions: a printed version, where the images come alive through colored filters applied to custom-made glasses, and a digital version, brought to life through this website.

to horror film

Both formats share the same intent, not to provide answers, but to create an interactive experience where the viewer decides what to reveal and what to hide.

This is a fan-made project, with no commercial purpose, born purely out of passion for the genre and visual experimentation. Every image is a story layered in color and meaning, designed to challenge perception and to honor the cinematic atmospheres that continue to shape our imagination.